Adam Fung’s possible magic examines how we navigate trajectory within the Anthropocene’s precarious states. Primarily using painting as means to survey the condition of the planet, Adam Fung considers a range of research interests that touch upon issues such as eco-anxiety, climate change, the history of landscape imagery, and interconnected systems also known as hyperobjects. 

Intentionally working with oil paint, these slow moving, layered surfaces are a resistance to the slickness, speed, and expectations of the digital world or media we encounter daily. Each work employs a dynamic color palette that speaks to the dichotomy of beauty and destruction in contemporary landscapes. With each encounter we must ask ourselves: what lies over the seen and unseen horizon?